Universidad de Wisconsin-Madison

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Estimados posibles partidarios de RXG,

Soy Katelina Eccleston o Gata y soy la orgullosa historiadora, artista, creadora, etc. del Reggaeton detrás del Reggaeton Con La Gata o RXG. RXG fue creado por mi amor, pasión y respeto por El Movimiento, mis esperanzas para su futuro y la renovación de la integración de la diversidad racial.

Como está bien documentado, he trabajado incansablemente durante los últimos 3-4 años para hacer de esta plataforma lo que es desde cero y estoy orgulloso de lo que he construido, dónde está y hacia dónde se dirige.

Necesito tu ayuda. Como todos saben, he tenido altibajos en colaboraciones con empresas más grandes y una cosa ha demostrado continuamente ser cierta: mi trabajo es importante y las empresas más grandes saben que esto es cierto o, de lo contrario, ¿por qué molestarse conmigo si soy tan “insignificante”? No lo soy.

Estoy recaudando este dinero con la esperanza de adquirir la protección adecuada para asegurar mi propiedad intelectual como si fuera mía. No puedo proteger todos los aspectos de mi marca por mí mismo, por lo que pido su ayuda. Se agradece cualquier ayuda.

El más cálido saludo,

“Tu Gatita Favorita”

-Gata

Original Idea

Popetón

  • I coined the term Popeton. The concept of a new genre, Popeton not being 100% pop or reggaeton but a mixture of the both. Inspired by the fact that there is Reggaeton that has been so whitened artistically that few essences of Perreo remain at its core therefore it can’t be considered as Reggaeton. 

 

This particular definition of Reggaeton

El reguetón is the manifestation of the whitewashing of Perreo, which is Black at its core.

Comparing the BPM of subgeneres of Reggaeton to Sex

“The BPM in the different themes of Reggaeton including Perreo, Sandunguero, Bellakeo, Maleanteo embody the movements of Sex.”

via Make Reggaeton Nasty Again on Reggaeton Con La Gata‘s Podcast 2019.

 

“We (consumers of Reggaeton) can’t expect a wave of assorted themes of Reggaeton at one time as it was exemplified in the early 2000s again because a lot of the producers who worked on those projects were not accredited. Therefore we are expecting sounds from producers who did not fully create them in the first place.”

via Reggaeton Con La Gata on Twitter

Negratón (Un término acuñado por Zahira Cabrera Kelly)

El concepto de género de Perreo es negro en su núcleo, por lo tanto, un género de música principalmente de estilos de reggaetón cantados por artistas latinos negros, pero especialmente por mujeres negras que se borran del género – Katelina Eccleston

“The BPM in the different themes of Reggaeton including Perreo, Sandunguero, Bellakeo, Maleanteo embody the movements of Sex.”

via Make Reggaeton Nasty Again on Reggaeton Con La Gata‘s Podcast 2019.

 

“We (consumers of Reggaeton) can’t expect a wave of assorted themes of Reggaeton at one time as it was exemplified in the early 2000s again because a lot of the producers who worked on those projects were not accredited. Therefore we are expecting sounds from producers who did not fully create them in the first place.”

via Reggaeton Con La Gata on Twitter

El 28 de febrero de 2019 visité la hermosa Isla de Puerto Rico para unirme a una conversación en persona con Pioneros del Reggaeton. Después de recopilar datos, descubrí lo siguiente:

On February 28, 2019 I visited the beautiful Island of Puerto Rico to join an in-person conversation with Pioneers of Reggaeton. After collecting data, I’ve discovered the following:

  1. Via Maicol Superstar a Puerto Rican pioneer of Underground in Puerto Rico was able to confirm that Puerto Rican artists traveled to Panama during the Puerto Rican era of Underground in order to learn how to create dancehall music. He is one of them.
  2. Puerto Rican Disc Jockey and Pioneer of Sandunguero of Reggaeton DJ Blass formerly expresses that the movement did not start in Puerto Rico but in Panama, he goes on to explain that the instrumentation was sped up in tempo and that he’d agree with “No Hay Reggaeton Sin Dancehall” more than “No Hay Reggaeton Sin Reggae.”

3.    Maicol Superstar’ of former underground duo ‘Maicol Y Manuel’ detailed extensively his             first hand accounts of the musical processes taking place in Puerto Rico and how it correlates with his first hand experience during his 8 month trip to Panama in the 1990s with Alberto Stylee and other Puerto Rican Reggaeton Pioneers.

4. Bones Weso produced ‘Sacala’ by Hector El Father of the ‘Sangre Nueva’ album. He also co-produced every song on Mas Flow 2 along with Nesty and LunyTunes.

And Much More.

 

All works are protected by Copyright. All Original ideas and Historical Citings must be properly cited.

More original ideas, historical findings and such to be revealed during the release of my book in 2020.